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Monday, 11 November 2013

Eyes Wide Shut and the Societal Masking of Desire

by Christopher Barr

 













Eyes Wide Shut is about the laws of nature conflicting with social laws in marriage, a film about a husband and wife being sexual beings in a seemingly conservative, binding agreement.  It’s absolutely beautifully shot, acted and directed, this film being Stanley Kubrick’s last masterpiece in a long line of ground breaking, challenging pieces, before his untimely, mysterious death.

The film starts with an exposed woman, Alice, getting ready for a Christmas party.  Her husband Bill looks for his wallet and enters the bathroom where Alice, exposed yet again, is sitting on the toilet peeing.  They go to Bill’s friend Victor’s party where they drink champagne and proceed to enjoy this illusion of sophistication, separated.  Alice dances with an older man aggressively flirting with her while Bill is with two young pretty girls who are throwing themselves at him.  These desires are both thinly veiled behind laughter, art and dance, not to mention lots of alcohol.  Bill is then pulled away from his potential ménage a trois to deal with a pressing medical matter upstairs.  A naked woman in a bathroom was on the verge of overdosing.  Bill lent his expertise and smoothed over the situation.  Alice reminds the groping older man that she is married.  At home Bill and Alice are naked and kissing, Alice looking at the both of them in the mirror, Alice’s looking glass. 

It is important to note that both husband and wife deflected the advancements of their respective flirty strangers.  They both played by society’s rules and didn’t give in, thus breaking the social bond they both agreed to.  We then see them the next day fulfilling all their domestic requirements, Bill goes to work as a Doctor performing routine medical checkups while Alice looks after their little girl, both strolling through the banality of modern daily life.
 
At Victor’s party it was alcohol that allowed them to teeter on the edge of promiscuity and now a day later its marijuana.  Like most people these days, they require a mind altering substance to express themselves in a society that demands control and obedience of its populace.  Alice and Bill are in their bed smoking a joint asking each other about the strangers trying to pick them up at the party.  They argue about the reasons behind their potential infidelity.  This form of jealousy is certainly common among couples that wish to police the actions and the thoughts of their partner to avoid disloyalty.  That’s the seed of their argument, no matter how much Bill says he wants to be faithful because he loves Alice and is married to her, she isn’t convinced and she’s right not be, because we can’t know what’s really going on in the minds of our partner, but through our own deductive reasoning, we can assume that if I am thinking it, it’s likely that he/she is as well.  
 
Alice proceeded to tell Bill about a sailor she saw a year ago, that turned her on so much, that she would have given up her marriage and their little girl to spend one night with him.  As she told the story, this emasculated Bill to the point of tears, she did this as part of a defense mechanism, to combat against her lack of control over his thoughts as she can’t access his thoughts she might as well contaminate them.         

A thoughts war begins between husband and wife, and therein lies the problem with society and marriage.  We can’t control the thoughts of our partners; all we can do is try not to think about it at all.  But in the case of Bill and Alice, these last few days events has shed new light on old memories and our sometimes lack of free will.

The handsome sailor making love with Alice is all that is populating Bill’s mind.  Men often feel inadequate around their women because the pressure of sexual performance that is so prevalent in society.  A man has to be the best at everything and Bill is now thinking that the sailor is what turns Alice on.

Women are generally more introverted where men are more extroverted and the film breaks in two at this point where Bill acts out in the world and Alice plays within the mind in the form of fantasy dreams.

This film explores bottled up sexuality and the failing roles we try so hard to keep up.  In order to build and then live in society we have all given up a form of freedom that hasn’t let us go.  That freedom wants out of all the social cages that have been built to restrain it and express itself fully.  This of course cannot be aloud because that would be the end of civilization.  So our real freedoms must be restricted and suppressed with laws, rules and regulations, with medication and religions, in prison terms our true freedom has been condemned to a life, incarcerate without the possibility of parole.

After Bill is taking a walk with thoughts of Alice is bed with the sailor invading his mind, a group of thugs push him down and yell homosexual, derogatory insults at him furthering his already declining masculinity.  Bill then meets up with a prostitute that offers him a good time.  These are all manifestations of his inner thoughts realized.  What is it to be a real man in modern day society?  How much mucho does a man need to be, to feel satisfied with his self-image and his self-worth? 

Bill goes inside the prostitute’s apartment, I’m sure to discreetly restore his manhood after Alice challenged it.  Unfortunately the restoring of his manhood requires caveman style, naked man with naked woman action and instead he’s stuck in a shady apartment negotiating the terms of a natural act between a man and woman, through a capitalistic monetary system.  I suppose on a biological innate level it defeats the purpose of the hunt. Regardless, Alice calls Bill before anything happens with the prostitute and Bill is reminded of his binding marital rules and leaves without incident.

Bill goes to a bar to watch a medical school friend play in a jazz band.  Nick sits with Bill after his set and tells Bill of a party he will be attending later on that night, where he’ll be required to wear a blindfold while playing piano.  Nick says there are lots of beautiful woman there.  Bill, on his journey further down the rabbit hole talks Nick into telling him the location of the costumed party.  Bill goes to get a costume and is yet again derailed momentarily while rules and functions of society’s suppression prevent him from naturally exploring his sexual desires.

After using his symbolic authority as a doctor, Bill acquires his costume and goes to a mansion where inside there is a cult like, secret society of people all masked and cloaked performing some sort of choosing ceremony that leads to an orgy of sorts.  Bill, for some reason is immediately suspected for not belonging, or is that just paranoia, actually it isn’t, they are on to him.  The women are disrobed and choose their partners; they leave their masks on because it’s the body that’s required and not the personality of the face thus the individual.   

People want to express their sexuality without restraint; the function of society forbids this form of expression in order to control its population.  So using the strict rules that govern society, groups of elite people form a secret society so they can express their sexuality without restraint but are still subject to the rule of law, their law thus negating the desired natural flow of human sexuality.  This is where Bill comes in, he is society’s sexual oppression infected their little theatrical sex orgy.  There’s even an interesting point when Bill is upstairs watching naked people performing sex when a masked man clearly higher up, is with a naked masked woman, they both look at Bill.  When the film cuts to a different angle the naked woman with the same mask on, holding onto the higher up man, is clearly a different woman.  I think this is expressing the objects we often see women as.  This elite group is very clear how they see women and the director was testing his audience to see if they are subject to the same objectification.

Bill is caught and brought before the grandmaster in a sort of tribunal to answer for what he has done.  With all the faceless onlookers, Bill removes his mask thus re-entering his symbolic identity and the baggage that comes with a name.  After a young naked woman asks the council to take her as some sort of sacrifice, Bill is set free but is ordered to keep quiet about what he has seen there.  It is also important to note that the whole sequence at the masked party could have been a dream Bill had after smoking pot with Alice.

Bill gets home to hear about another dream Alice has had about the sailor, which led to an orgy where Alice had sex with many men, and poor Bill listens to this dream as his masculinity takes another hit.  It appears as if he’s yet again, not good enough for a woman like Alice.

Bill uses his symbolic authority as a doctor a few more times to find out that  his friend Nick has left town and possibly by force.  He then drives back to the mansion only to be given a note to cease his curiosity.  Ultimately he’s being forced back to the role of a doctor with a wife and a happy life cover story, and to leave this desire for sexual express and life fulfillment behind him.

After having more thoughts of Alice with the sailor, Bill goes back to the prostitute’s apartment.  I’m thinking at this point he wants to symbolically punish Alice for cheating on him in her mind, for putting him through the reruns of her naked body under the sexually electrified sailor.  The prostitute isn’t home so Bill flirts with her roommate only to find out that the prostitute was tested positive for HIV, signaling the severity of Bill’s own actions.  Bill then finds out that the woman at the masked party who stood up for him, was found dead.

Bill goes to Victor’s house to talk, where it is revealed that Victor knew about the masked party because he was there and that the girl who died was a druggy hooker.  Bill was told the whole thing at the masked party was staged to scare him because they knew he shouldn’t have been there.  Bill then goes home and finds the mask he wore at the party on his pillow beside a sleeping Alice.  She knows.  Bill becomes overwhelmed with what he did and breaks down crying, Alice wakes up looking at her crying, guilt-ridden husband.

At the toy store the next day they reconcile and decide to stay together forever.  Alice says they are awake now and they should go immediately home and…fuck.  This to me is not fully awake; this is recognizing they can’t do anything about their thoughts and desires.  The marriage and the rules in society can only go so far until true desire needs expression.  So if they are awake, they are awake to knowing they are trapped.










Fidelio….





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