Friday, 7 September 2018

IT: Chapter One and What Doesn't Kill You Makes You Stronger

By Christopher Barr POSTED ON SEPTEMBER 07, 2018


IT is a horror film based on the widely successful Stephen King 1986 novel of the same name.  It's a film about that twilight zone between childhood and adolescences and that leap one has to take, along with the strength to let go of childhood and grow up.  It's also about the weird world of adults, a world that these child find themselves being force to participate in.  

The film is creepy right from the beginning when little seven year old Georgie chases a paper boat, just made for him by his older stuttering brother Bill, up a flooding street in a down pour.  Georgie is wearing a yellow rain coat when the paper boat goes down a storm drain.  Georgie, clearly upset reaches for the boat and is met by the creepiest fucking clown you ever want to see, let alone one under the street in the sewer shrouded in darkness.  This clown, with bright blue eyes, powdered skin and red crazy hair, dips into the light as he introduces himself as Pennywise the Dancing Clown.  Oh my god, clean my shorts.


Poor Georgie is quite viciously murdered by this sick goddamn clown in the small Maine town of Derry in October of 1988.  The film jumps to the last day of school in June of 1989, where we meet the 'Loser's Club'.  A bicycle-riding group of kids that are pretty well picked on by 'older'- 'cooler' bully kids right from the get-go.  The asshole kids are truly cruel in their hatred toward the younger, and as they see it, the more weak.  This film is not setting itself up to go easy on anyone, it means to dig deep into your soul and rip it out through your eye sockets. 


These unfortunate kids are not only subjected to an insane clown fear-haunting them with charred corpses from a massive fire in Derry in 1908, but also all the terrifying adults in their lives.  Little Mike is told by his grandfather, just after he had fired a nail into the forehead of a bewildered sheep, that Mike has to make a choice, whether he wants to be a sheep in the cage or outside of the cage holding the gun.  Poor Bill is told quite firmly from his grieving father that his little brother Georgie is dead, and to stop believing that he's alive and might have washed up down river or something.

IT is about the painful reality of growing up in our state of society.  It's about dimming any light on hope and accepting the fact, childhood is but an early and often forgettable blip in the reality of adulthood.  Children in society are almost seen as these premature wastes of space.  They are often seen as useless and not ready to be taken seriously. 

Beverly, the only girl in their little gang, joins them while the investigate what's happening in their little town.  They do this while trying to avoid the older gangs who's only drive is to punish the younger kids, quite literally torture them.  Along with their investigation, they discover that many children have died or have gone missing in their little town over the years, they all start seeing more visions of ghoulish dead people, red balloons and that nightmarish goddamn clown, Pennywise. 
  
Beverly is the unfortunate one to have the most disgusting adult around her, her father, who is a piece of shit.  She even seems more alone then the boys.  She's been accused of sleeping around with many of the boys at their school so all the girls think she's a slut and has thus been ostracized by everyone.  These rumors are ways that cruel kids often play on each other as they grow in to their own.  The problem with that scenario is the adults around them aren't the greatest role models.  IT has trapped these kids from ever wanting to grow up.  It has truncated the possibility of any kind of peaceful transition from teenager to adult without losing so much along the way.  Beverly cuts her long red hair off to give her a feeling of control over her perverted, menacing father, but that control isn't real.  

The maleficent clown is getting to all of them, priming them to kill by marooning them in their own nightmares.  Beverly's bathroom sink explodes with blood and hair which her loser father doesn't see when he enters the bathroom, he just shames her and leaves.  Bill sees his little 'undead' brother Georgie along with the hair-raising Pennywise. Eddie sees a gruesome zombie-like corpse after him before he saw Pennywise with red balloons.  Ben saw a headless charred carcass coming toward him in the library basement,  Stanley saw a deformed woman in a painting come to life and chase him.  All these kids are being hunted by 'it' knowing at this point that this isn't 'it''s first time in Derry.  Every 27 years he appears, hunts and kills children and disappears into some form of hibernation after a year only to return again 27 years later.  Ideas do this as well, they appear in cycles, resting for a bit and then appearing again.    

Those poor terrified kids are on their own without anyone around to help them but each other.  They are being isolated by Pennywise, 'it''s trapping it's prey, but why?  In the story it was said to be an evil presents way back when the first settlers of Derry all went missing.

Henry is the teenage bully that torments the Loser's Club with so much hatred.  This kid is a mean little shit but we later see that like father, like son.  Henry's father is a Derry police officer and is also a bully.  Pennywise attaches onto Henry's fear and makes him stab his angry father in the neck bleeding him to death.  Henry is one of the only cases in the film where we see the horrible influence a parent can have on their child.  Beverly is never like her lonely sick father.  She frees herself from his possessive entrapping ways.  But Henry is too far gone and he is, quite frankly, a lot dumber than the bright and emotionally strong Beverly.  

In the end they face their fears, form a tight friendship and defeat the clown.....for now.  The Loser's Club all get together and make a blood oath, after Beverly tells them of a vision she had about fighting the clown again but this time as adults, that they must return to Derry in 27 years if that dreaded Pennywise comes back for more children.  Like the children in The Goonies, Super 8 and Stranger Things, they found that working together unified them as Pennywise, One-eyed Willy, the Alien or the Demogorgon attempted so desperately, through fear, to divide and concur them all.

What is up with alluring clowns in the tormentor role in so many peoples nightmares?  All knowledge has a price and suffering is a requirement for growth.  These kids had to grow up and learn about this place they're in.  They have to learn that suffering isn't something that is wrong, in fact it is a part of our survival mechanism.  We need to fear and suffer in order to gain the strength to survive.  As odd as welcoming suffering sounds, it is liberating in the end because you come to realize, like the Loser's Club did when defeating the demonic Pennywise, is that most all the fear and then the suffering are in your head.  

Currently in our society there is this growing movement to eliminate personal pain and bubble wrap everyone and everything in padded rooms, with painted flowers and rainbows on the walls.  This movement wants to eliminate anything offensive throughout the culture by controlling what people can and cannot say.  I'm not so sure what the end game this movement thinks is going to happen but I would argue, and certainly advise, to pick up a psychology book.  If we sterilize the whole system we open ourselves up to a vulnerable position.  We need to scrap our knees and elbows to help strengthen our immune system.  We need shitty food so we can, on occasion, enjoy the good stuff.  We need to fall so we learn to gain the backbone to stand up.  We need to feel fear so we can teach ourselves to fight it.  We must understand that fear is apart of being human as much as we might want it gone.  Fear helps us avoid threats to our existence, whether it is a real threat or a perceived one, it allows us to recognize this threat, feel anxiety over it and then act in a way to avoid.  This process is hardwired in each and every one of us, and is unavoidable.



IT was a scary film that carried a huge message along with it.  This world isn't about our beliefs, they are opinions that you are refusing to reconsider.  You are not going to get handed anything worth holding on to.  This film leaves us with the fact that you are going to have to fight, claw and hold on to what you want.  Bubble-wrapped-baby-adults are in an illusion of safety and security brought to you by our friends at the highest levels of office and their corporate sponsors.  That's what the shape-shifting Pennywise tried to do, make them all feel weak, so he could divide them.  The number one problem facing us all is division.  We are all so horribly branched off fighting our little battles among ourselves, while all the real wealth is being absorbed by the real monsters residing at the tops of skyscrapers and 50 room mansions.

Solitude is fine in doses but as a species we need each other so we don't fall back and too deeply into ourselves.  We need connections and sounding boards with the people in our lives.  We need to understand our strengths so our weaknesses can dissolve away.  If we continue down this path of unbridled narcissism and socio-smugness, we will not have to wait 27 years for the horror show to start up again, we may not make it that far.  



"Time to float."


"You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face.  You are able to say to yourself, 'I lived through this horror. I can take the next thing that comes along.'"
 - Eleanor Roosevelt


Friday, 31 August 2018

BLACKkKLANSMAN: Overcoming Racism and the Real War on Stupidity

By Christopher Barr POSTED ON AUGUST 31, 2018
There will be some spoilers.
BlacKkKlansman was based on a true story from the 2014 memoir of Ron Stallworth.  In 1972 Stallworth became the first black detective at the Colorado Springs police department.  Stallworth requested to go undercover after being stuck working in the records room for longer then he'd hoped, while being mistreated by his co-workers.  He ended up going to a local rally to listen to a national civil rights leader, observe and report back to his department if there was any illegal activity.  Stallworth met Patrice, a president of the black student union at Colorado College at the rally, and decided to get to know her and get in deeper undercover but nothing nefarious is ever found so the investigation was dropped.

Stallworth, now part of the intelligence division, recruited his Jewish co-worker, Flip Zimmerman, to help him infiltrate the local Klu Klux Klan chapter.  Stallworth gets invited to join the KKK after a couple of phone calls, pretending to be white, with the president of the Colorado Springs chapter.  Flip, acting as a white Stallworth, goes and meets with them in person while Stallworth maintains contact with them by phone.
Stallworth and Flip get in good with these KKK guys and eventually in a position to meet the Grand Wizard of the KKK himself, David Duke.  Stallworth ends up saving his now girlfriend Patrice from being killed by a bomb haphazardly planted by one of the more radicalized KKK member's wife.  Stallworth is congratulated by the chief but is told to destroy all his files on the investigation.  Later at his apartment, Stallworth and Patrice are interruption and see in the distance, through a window, a flaming cross surrounded by Klan members. 

BlacKkKlansman, given its serious subject matter, is quite funny in places, if not absurd.  Director, Spike Lee likely wanted that absurdity present as a reflection of the madness of the film's very subject, which loosely is; 'what the fuck is going on in this country!!'.  

Albert Einstein's, General Theory of Relativity, his geometric theory of gravitation was published in 1915, promising a new understanding of the Nature of Reality and what betterment is possible for the human race to advance forward into the future.  Sadly that was also the same year D.W. Griffith's racist epic The Birth of a Nation was released to the public to see just how backwards we've become.  The film was responsible for the 20th century's resurgence of the Klan, glorifying them and promoting white supremacy.  The racist film was widely received and in fact screened at the White House.  

This juxtaposition in BlacKkKlansman between Grand Wizard David Duke and his fellow Klansman bombastically rejoicing over a screening of The Birth of a Nation, while in another location the black student union body listen to Harry Belafonte, with a heavy-heart, telling the account of a black farmhand named Jesse Washington, who was brutally lynched and burnt to death in front of 10,000 spectators, with children and policemen among them in Waco, Texas on May 15, 1916. 


"We are all born ignorant, but one must work hard to remain stupid." 
-Benjamin Franklin

I know this may sound trite but racism is stupid.  What I mean by this is racism couldn't hold up to reason and logic and hope to make it out the other side.  Racism is pure ignorance fueled by historical traditions and an over all lack of understanding.  What I mean by a lack of understanding, I don't mean a lack of understanding of a particular ethnicity or culture, what I mean is an overall inability to understand, to comprehend one's thoughts and have an ability to form constructive ideas out of those thoughts.

This is where the problem of racism and why it sticks around even though at this point in human history, we should have all moved on.  Racism isn't about hating other people that may or may not be like you.  Racism, at it's core, is a lack, or outright absence, of education and emotional intelligence.  Telling a racist to stop being a racist is an act of futility.  Racist are like villains, they don't see themselves as the bad guy.  In their ignorant, backward minds they believe that they are in the right, and this brings us back to stupidity.


"America would never elect someone like David Duke for President of the United States."
- Ron Stallworth


The white supremacist Charlottesville rally in Virginia that happened on August 11th and 12th of 2017 was an obvious low point in the recent history of the United States.  President Trump would have us all believe, certainly based on his long overdue statement, that there were bad people on both sides and some good people on both sides. (talk about taking a side by not taking a side)  This doesn't take a Rhodes scholar to quite quickly come to the conclusion that the white supremacists were on the wrong side of this race battle, as the Confederates during the American Civil War were.  This fight is never going to go away if we continue to tell or force white supremacist racists that they are wrong.  That may be frustrating when you come to the realization that simply asking people to 'do the right thing' isn't going to be good enough.  Doing the right thing is a relative proposition because the points of view of people often differ.


We do have a couple of ways to handle this seemingly endless problem.  We could all divide, go our separate ways, chalk it up as 'this is what's best for everyone'.  Or we can kill each other, fight back and forth, over and over again until we are all damn near dead.  Or we do what they do at CERN.  At the CERN facility in Switzerland there are hundred's of scientists and physicists from around the world, all working together to unlock the secrets of the universe both macro, micro and quantum.  One of the issues that plague most of our world doesn't really happen there.  The reason; they are beyond looking at people as categories.  They look at people as brains that are in the bone case of their skull, past their skin color and cultural traditions.  

I know, it's not that simple, but I'm here to say that it kind of is that simple because they are doing it.  So why does racism persist even though we know how to overcome it, capitalism, lack of education?  The problems we face runs far deeper than how we treat each other. 

In half of the commercials on American television, corporations are selling drugs to unwitting people to 'help' solve all their problems.  So how are people supposed to learn how to be intellectually honest with themselves about the problems that they face?  If we become convinced, through conditioning and propaganda, that we 'need' our government to look after our safety and security and that we 'need' mega-corporations to look after our mental health and livelihood, then how are we going to learn to think for ourselves?  If our leaders in office along with their corporate sponsors only want us to be dumb enough so we need them, then how are we going to be smart enough to know the difference?  Racism is a side effect of our stupidity and ignorance not the source of it.


"Never argue with stupid people, they will drag you down to their level and then beat you with experience."
 - Mark Twain

So now what, we go round and round and round?  Historically through rallies and speeches, leaders of all sides of the opposition preached and pontificated about, how do we solve this mass division and all get along?  We are all guilty of this because it is part of our defense mechanisms, where preconceived ideas and confirmation bias exist resulting in our brains dividing and filing away things, and often reducing people into heuristic categories for potentially later confabulations.  My point here is we must look inwardly and understand more about our own thought processes, so we can understand more about how the people around us think the way they do.  

This will not be easy, but other then killing each other, we have no choice but to learn how to understand ourselves so we can understand others.  This is not condoning racists, this is about exploring an idea and rising above it to such a point that it's seen by all for what it is; stupid.
Other Related Articles on this site. 

-12 Years A Slave and the Authority of the BIG Other
-The Butler: The Help and Social Inequality

Wednesday, 3 January 2018

Star Wars: The Last Jedi and the Death of History

By Christopher Barr POSTED ON JANUARY 03, 2018
The Last Jedi was a movie that was an interesting addition to the Star Wars saga.  It had marvelous special effects, it had some exciting battle scenes......

Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers...Spoilers

Okay this movie was either so brilliantly done or it was a massive mess that we all want to believe was great because it had Star Wars in its title.  There is a third way of looking at it.  Was the movie just not a good movie, not because it's Star Wars, not because it's a massive budget blockbuster extravaganza, but because the pieces that work so well in a good movie were absent here?

Is The Last Jedi a victim of it's time?  Is it's concepts and discombobulating narrative subject to the fractured times that permeate the closing pages of 'who we are' and 'where we are at' as a people in the privileged first world circa 2017?  Is this just a movie?  Of course it isn't because no movie, no story, no narrative is just a thing in and of itself.  We watch these stories because they mean something to us, they resonate, hopefully.  We learn about how to be good to people and how others have struggled to live through this life.  We certainly learn much of our morality through educational means outside the dark theaters and flat screens of our home entertainment systems, but to suggest that a film has nothing to say, whether a comedy, a drama, a horror film, or in this case a science fiction film, is quite frankly losing the meaning of film, narrative and how we interrupt the world outside the mind.

Star Wars: The Force Awakens was a fun movie and was a valid addition, while introducing this 40 year old fantasyland to younger people it also paid fan service to the Star Wars fans that actually grow up watching them through 1977 - 1983.  Its weakness' and its strengths oddly coexist in this paradigm of the past and the present simultaneously.  J.J. Abrams had massive mouths to feed and for the most part, he achieved this.  He took a mega-franchise and was awarded the task to restart the heart of a dying star.  The prequels divided the fans where confidence was low and the expectations of a sort of heart transplant seemed dim.  Abrams ignited excitement to this new rebirth, this new window into this galaxy far, far away.

The Force Awakens opened with for the most part, approval by fans of the originals and the prequels alike.  Yes some people bashed it, but that was going to happen.  Why wouldn't they, the movie had some plot issues, it killed off Han Solo (at the request of actor Harrison Ford no less), it played the replay button many times over throughout its running time.  The question is; what did we get in the end?  We got a movie that celebrated Star Wars, probably with a little fan service over-kill, but we still got an entertaining movie on its own right.  

Abrams' job, not only as a fan but as a director, was to introduce this world to a young audience and he did that.  The thing is, he gave a gift to the older audience, him being part of that audience, he gave the location to Luke Skywalker.  The first Star Wars movie from May of 1977 introduced a story of a young man that pulled himself out of the modest farming life only to discover he was part of a dynasty of Jedi that were warriors who fought against an evil Empire.  He was like a boy plucked from the pages of a Horatio Alger's novel, where the poor boy is plummeted, through no fault of his own, into the world of the wealthy and knowledgeable.  

With the three originals and the prequels, family was a main artery throughout the saga.  It was the spine that barely held the prequels together.  This Skywalker mythology was very much a part of The Force Awakens.  Stars Wars is about Skywalker.  Rogue One: A Star Wars Story was a successful episode outside of the Skywalker linage that proved to be exciting and worthy of its place in the Star Wars Universe.  Which now brings us back to The Last Jedi.

Yoda: Delicate waters I tread, hhhmmmmm.

What was great about The Last Jedi?  Stowing wants and desires that have been painted on the walls of many of our minds and memories in the Millennium Falcon weathered rusty grey, what happened in this movie?

Star Wars: The Last Jedi was not a good movie.  It has it's moments, it has its twists, contrived yes, but they were technically twists.  Poe Dameron takes out all the exterior laser canons on a massive Star Destroyer and then bombs were dropped onto this Star Destroyer in zero-gravity, nit-picky for sure, but what was interesting just minutes before this attack, General Hux suffered through humiliating conference call issues with Poe. 

Issues with The Last Jedi are littered all over the internet, most of which we all know by now; what's up with running out of fuel, how can Leia come alive and float in space, why are the First Order so tactically stupid, why did Luke not give a shit as he drank milk from whatever that thing was?  

The problem here is The Last Jedi was a victim of its time.  It was a Star Wars movie that was not a Star Wars movie.  It was a movie for kids and teenagers that heard about this galaxy far, far away but they can never ever live there.  The Last Jedi did away with the fantasy that kids in the 80's clung so hard to.  It brought the fantasy home with all the animal rights and the corporate greed and left out the allegorical mythology of the originals.

Yoda: Luke Skywalker is dead he is, hhmmmm, nothing without effort it was.

What did we learn from this episode of Star Wars?  What did we get in the end, that last shot of 'family' on the Millennium Falcon?  What did we really get out of this 8th film outside of a couple of cool action scenes and a couple, very few, dramatic moments?  We all wanted to love this movie but yet we didn't, some of us lied to ourselves, convincing us that it was the greatest of all the Star Wars movies, some didn't like it but didn't know why and some hated it because it wasn't the 'Star Wars' they were expecting.

This all turns around and follows back to the most fundamental question that was mentioned before; is this just a movie?  This movie has been seen by more people than Citizen Kane, Midnight Cowboy, The Godfather, Apocalypse Now combined so yes, this movie means something, for better or for worse.



Worse is the more obvious approach, it's message was to forget the past, "kill it if you have to."  It advocates, like so many movies these days, to 'kill' the past like it is worthless.  The problem with the past, whether you need cuddles or not, is it defines who we are in the present.  To 'kill' the past is to kill the self.  We can learn from the past and correct wrongs and make them rights, but we cannot divorce ourselves from the past know more than a shark can separate itself from water. 


Along with the SJW (Social Justice Warrior) Kylo Ren not getting his way fits and the millennial agenda of receiving without earning, princess warrior Rey did nothing to become a Jedi, the message here is fuck Joseph Campbell, fuck actual sacrifice and everyone gets what they want in their cuddly warm blanket.  Nietzsche as angry as he was when he was alive would fucking die of the all sulking and the I-want-it-my-way movement of the modern human (not gender specific) in the first world.



Star Wars: The Last Jedi, without lying to oneself and getting over the spell that Star Wars holds over us, was not a good movie, but more importantly, the movie didn't have a good message.  With that little 'together' moment at the end doesn't erase the fact that this movie was about the killing of the family and the killing of trust itself.  Sadly in the end this movie was about the kids and the young people watching it.  It's no more a Star Wars movie than comic book movies are for comic book fans.  It has evolved into a monster corporate commercial that is never ending.  It's a circus now, oddly resulting from the first major circus, Star Wars (1977), the (Snoke) snake eating its own tail.  


Sadly here we get Mickey Mouse eating his own tail.  Purple haired suicide bombers and superhero princess Leia and a Rose that never blooms.  

The fight in the red room was cool, ......high note.......?    
   

    






Saturday, 22 October 2016

LOGAN: Wolverine and fighting the Future

By Christopher Barr POSTED ON OCTOBER 22, 2016

I hurt myself today
To see if I still feel
I focus on the pain
The only thing that’s real.

The Logan trailer is by far the best trailer of the year so far.  It has masterfully distanced itself from the superhero movies that the film version of Wolverine came from.  This emotional trailer shows a not so distant future where Logan is living with his demons as his body doesn’t regenerate at the rate it once did.  It shows him caring for a sick Professor X in a somewhat dystopian sandy environment.

The Logan trailer looks like it draws visual inspiration from the damn near flawless film Hell or High Water and the equally flawless Coen Brothers film No Country for Old Men.  It has hints of Mad Max but the world in the trailer hasn’t got that bad yet.  There was a hint of Se7en in this trailer as well with a very quick little happy moment around the dinner table, that we can tell, like in Se7en, is all the joy we’re going to get, before we dive back into the dreadful reality of not only the end of the mutants but possibly the end of the Wolverine.

And you could have it all
My empire of dirt
I will let you down
I will make you hurt.

Hugh Jackman’s performance just in the trailer is chillingly brilliant.  His ‘Old Man Logan’ is wonderful and heartbreaking at the same time.  He appears to be in the winter of his discontent, he appears to be slowly dying, and while this realization may overwhelm him, it looks like it equally frightens him.

Professor X in the first X-Men movie helped Logan not only face his current demons at the time, but also he helped him unlock parts of his past.  Logan and Professor X’s relationship in the X-Men movies were arguably the best parts of the whole franchise.  The only other complex and equally interesting relationship was the one that Professor X had with Magneto.

Logan looks like the friendship between Professor X and Logan is going to reach the palpable relationship of a father and son.  The film truly feels like a last chapter in a long journey for a character who probably should have died long ago for some of things he’s done, but in his suffering is the fact that he lives on.

I can’t recall the last time I saw a movie trailer where the music that accompanies the footage was so wonderfully married.  Johnny Cash’s Nine Inch Nails cover of Hurt couldn’t have been anymore perfect.  The sorrow that permeates that song and the realization that you were responsible for so much pain, and then how much you want to off load it, just to live again, or to live in peace, but you can’t because it’s there, wallpapered on every corner of your mind.  It’s absolute brilliance to play this wonderfully sad painful song while juxtaposing it with the long life of a man that has suffered and that has made others suffer, whether it was utilitarian, vengeance or plain righteousness.

The brilliance of the trailer is it makes us ask more questions rather than a lot of trailers that just provide answers.  Why is Professor X in the state he’s in, why is Logan on the run, who is this young girl and why is he not healing at the rate he use to?  What the trailer did for me and imagine for a lot of other people is made forget that it’s even a superhero movie.  It gave me hope that the superhero genre can elevate well beyond the pages of its original source material.

If I could start again
A million miles away
I will keep myself
I would find a way.


Tuesday, 28 June 2016

The Shallows: Aloneness and Surviving the Jaws of an Impending Doom

By Christopher Barr POSTED ON JUNE 28, 2016

“The weak die out and the strong will survive, and will live on forever.”  
- Anne Frank, The Diary of Anne Frank


 
There are some minor spoilers so tread lightly, as if in shallow waters, if you haven’t seen the film.  Some of what is said below could bite you, which is not the intentions of this writer.

The Shallows is a survival horror thriller where a young medical student is stranded a couple hundred meters off the shore of a remote beach in Mexico.  The reason for this is because of a massive great white shark that is circling the shallow waters waiting her out.

The film is Jaws meets Alien meets 127 Hours and ends up not being as great as the DNA that birthed it.  That said, The Shallows is a thrilling film that engages its audience while struggling to not follow typical teenage thriller troupes that are themselves…shallow. 

The Shallows wanted to be more then it ended up becoming.  The music video slow motion scenes in the beginning were to entertain and to draw in the short-attention-span crowd of the audience.  The opening twenty minutes of the masterpiece sci-fi horror thriller Alien would never work today with all the media addicted, ‘we want it now’, movie-going audience.  Alien was a slow burner and that was the point, you had to wait patiently for the Alien to become a true threat to the seven ‘truck drivers in space’ before the screams and violence started to happen.

The Shallows attempted to create this claustrophobic place, even in the openness of a beach shore, where a survivor is forced to come to terms with her calamity and either fight or flight.  Flight for her wasn’t really an option so fighting was something she had to accept, that or just dying from the bite she suffered from the shark while surfing.



Nancy is a medical student that travelled to a specific secluded beach where her mother use to surf off the coast of Mexico, when she found out she was pregnant with Nancy many year ago.  Her mother had passed away prior to the events of the film.  Nancy trekked off to this beach to, in a sense, make sense of who her mother was.  Nancy wanted to find some other connection with her mother after her death resulting from some form of cancer.

The problem with the film was a battle with a genuine story of survival and a corporate studio driven thriller that only wanted to shock its audience with a pretentious music video.  The conflict between honest movie making and studio, sponsor friendly, lowest common denominator-type product analyzing, is palpable, certainly in the first half of the film and at the last pay-off of the movie.

The Shallows is about survival which makes this story ancient.  Certainly The Revenant was equally a story of survival.  Was it a better film than The Shallows?  It was in pretty well every way possible but even though The Revenant has thriller aspects throughout it, it’s not the thriller that The Shallows is.  The Revenant aimed far deeper into the human condition and pushed the innate drive to survive far, far more than The Shallows.  The point here is The Shallows is meant to be taken lightly, even within its high stakes of survival. 

The shark in The Shallows is the shark in Jaws, it’s the Xenomorph in Alien, it’s not quite the bear in The Revenant because the bear in that film never becomes an ongoing threat to its survivor.  There have been some criticism regarding The Shallows about logistics, ‘the rock where she’s on is this distance from there, and the whale is this distance but when you look over head it’s different, the shore looks closer sometimes in shots from her point of view then in others’.  The logistical nightmare that Dante’s Inferno would have on the innovation and mathematically, finely tuned, internet savoy, movie going audience would be a nightmare beyond even Dante’s nightmares.

The point of The Shallows, if this needs to sadly be spelt out, is the shark is a metaphor for a traumatic impact Nancy sustained while just recently loosing the woman who gave birth to her.  Psychologically, these events needed to happen, ‘in her mind’, so she could live her life.  This impact and trauma is at least half of the story of philosophy, which is the story of not only what it means to be alive but what it means to survive living while being alive.  The idea of how far Nancy is from the shore, how far the shark is from her at any given moment is not really the point, it’s the thrill, but not the point.

“The theoretical understanding of the world, which is the aim of philosophy, is not a matter of great practical importance to animals, or to savages, or even to most civilized men.”  
- Bertrand Russell









The Shallows was about systematically breaking down the control that civilization and language itself holds heavily on each and every one of us.  In the beginning, Nancy had the safety of her cell phone, her technology, her connection to the ‘ordered’ world, but then it all went away.  All she was left with was, certainly one of the great fears that permeates society like the biggest unseen plague, reality, in all its nakedness.

Nancy was no longer safe within the Symbolic Order, language and her sexualized femininity wasn’t going to help her, just as it wouldn’t help a man on that rock while the shark waited to be fed.  The shark, like the Xenomorph in Alien, holds now value on what we call human life, all our dreams of the future and what we think the value of our life means.  It wants to eat, that’s it.  It doesn’t care about who we leave behind if we die because the shark’s brain is instinct driven.  Shopping, what car we own, what status we believe we belong to in society and whatever god, that our particular region of birth worships means nothing outside the structure of language and the natural world.

As human beings, our second greatest fear is anything that could harm us without ever caring who we are.  We are ‘special’, we are singled out, we are often celebrated for our desirability, the fantasy here is we believe we are not food and we also believe we are too important to be killed.  The Shallows effectively exploits this fear, if we didn’t actually have this fear, this film would be meaningless.  Alien, The Revenant and The Shallows wouldn’t work without our narcissism.  Why, because all that would be left is indifference, but it isn’t, we care because we want to survive in our own lives and we fear, which is our first great fear, death, the end of whoever or whatever we think we are.   

The Shallows is exciting in its slow burn to the end, it is a reminder that nature doesn’t give a fuck about you and how many friends you have on Facebook.  Nature doesn’t care about your family and who you say you love, The Shallows is an eye opener, it’s an awakening to the sleep, that Nancy and millions of people like her in first world need.  Sadly, given some of the not-so favorable reviews the film has got, metaphor itself is looking like it needs to be put on the endangered species list.  In the end if we can survive this monster of technological control, this governmental and corporate suffocation we too may survive, because as Nietzsche said, “Whatever doesn’t kill you, makes you stronger.”


“It is not the strongest of the species that survives, nor the most intelligent that survives.  It is the one that is the most adaptable to change.”  
- Charles Darwin